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James Tissot The Dreamer oil painting


The Dreamer
Painting ID::  81154
James Tissot
The Dreamer
Date 1871(1871) Medium Oil on canvas Dimensions 34.9 x 60.3 cm (13.7 x 23.7 in) cjr

   
   
     

James Tissot Emigrants oil painting


Emigrants
Painting ID::  81261
James Tissot
Emigrants
Date c.1873 Medium Oil on panel Dimensions English: 39.4 x 17.8 cm cjr

   
   
     

James Tissot The Shop Girl oil painting


The Shop Girl
Painting ID::  81314
James Tissot
The Shop Girl
Date 1883-1885 Medium Oil on canvas Dimensions English: 146.1 x 101.6 cm cjr

   
   
     

James Tissot An Interesting Story oil painting


An Interesting Story
Painting ID::  81614
James Tissot
An Interesting Story
Date c.1872 Medium Oil on canvas cjr

   
   
     

James Tissot The Ladies of the Cars oil painting


The Ladies of the Cars
Painting ID::  81615
James Tissot
The Ladies of the Cars
Date 1883-1885 Medium Oil on canvas cjr

   
   
     

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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     | Chevannes, Pierre Puvis de | Peter F Rothermel | Brewster john |


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